All nine songs are performed by the exceptionally talented lead vocalist Maria Moon, whose voice anchors the album with both strength and nuance. Dr. M. wrote the music and the majority of the lyrics, programmed the drums and additional instruments, and handled the full mixing process himself. The final polish comes from Grammy-winning mastering engineer Svante Forsbäck, whose work elevates the project with professional clarity and impact.

Follow Me marks the arrival of a self-contained artistic vision: one artist writing, producing, and shaping an entire album that deliberately bridges two traditionally separate worlds. The result is music that aims for both emotional resonance and heavy sonic weight: Adult Metal in its purest form.

Several other highly skilled musicians also contribute to the recordings, adding further texture and energy to Dr. M.’s carefully crafted arrangements.

As a 39-year-old independent creator, Dr. M. has taken complete ownership of every stage of the process, from composition through production. Follow Me stands as both a personal statement and the opening chapter of a new musical direction.

About Dr. M.

Dr. M. is a self-employed songwriter, producer, and multi-instrumentalist. With Follow Me he introduces Adult Metal — a fusion of Adult Contemporary sensibility and Heavy Metal force and establishes himself as the primary architect of the genre’s first full-length statement.

For a solo project of this scope, the arrangements are genuinely incredible. There’s a real ambition to how melodic sensibility and metal’s dramatic weight get folded together here, and it rarely feels like two genres bolted onto each other; it feels like Dr. M. has actually built a coherent third thing out of them. The title track, which also opens the record, is the clearest statement of that intent, laying out exactly what this hybrid sound will be and doing so with enough confidence that it serves as both an introduction and a thesis statement.

“Welcome to Babylon” is the record’s most interesting swerve. Just as the album settles into the tone the opener established, this track pulls hard in a darker, heavier direction, and it plays like a deliberate homage to Rainbow’s “Gates of Babylon,” picking up that song’s sense of doom and grandeur and running it through Dr. M.‘s own production sensibility. It’s the kind of subversion that only works if the rest of the record has first earned the listener’s trust, and by that point in the tracklist, Follow Me has.

Maria Moon’s performance deserves real credit for holding all of this together. Metal vocals this theatrical can easily tip into camp, but she keeps the delivery grounded even as the instrumentation swings between contemporary polish and full metal weight underneath her. Given how much of Follow Me rests on one person’s vision, executed almost entirely in-house, it’s a remarkably assured debut, and “Adult Metal” as a genre concept feels less like a novelty and more like a real lane Dr. M. has carved out for himself.

You want subtlety? Go read a James Taylor record review. “Powered Up” is a bottle rocket jammed into your cerebral cortex, lit with the kind of fury that made Trent Reznor relevant and gave Atari kids wet dreams about robot apocalypses. It doesn’t just honor the MegaMan franchise—it rips it from the cartridge slot, gives it a chrome exoskeleton, and throws it into the mosh pit at a Nine Inch Nails concert circa 1994. It’s industrial thrash rock with acid-washed techno bark—like Rob Zombie hijacked Daft Punk and challenged Skrillex to a boss battle.

There’s this beautiful chaos to AMP—the band, not the volume (although that too)—like they raided the backstage of a Capcom convention and fused everyone’s angst, caffeine addiction, and controller-throwing fury into a sonic Frankenstein. And who’s holding the lightning rod? Adam DeGraide, mad doctor of melody, cyberpunk preacher of plug-in prophecy. He didn’t just create a band—he detonated a musical universe. With Dameon Aranda riding shotgun, DeGraide has managed to stitch together a circus of talent into a singular pulse-pounding, joystick-jamming force of nature.

Let’s talk personnel—because AMP isn’t your average ego-driven four-piece. It’s a rotating cast of gifted misfits, freaks, and warlords of riffage. Gabe Aranda, Lacy Saunders, Macie Cantrell, Hartleigh Buwick, Myra Beasley, Joel Driskell, and Adam Aguilar—each one stomping onto the track like a playable character with their own special move. Jay Gleason’s guitar solos melt the motherboard. Jeff Hall’s drumming feels like a CPU overheating in real time. And those vocals? Imagine getting roundhouse-kicked by a choir of boss-level banshees.

And yeah, I know—another band “inspired by video games.” Spare me. But this time it’s not kitsch, it’s communion. AMP doesn’t just reference gaming—it weaponizes it. “Powered Up” is the sound of nostalgia turned militant. It’s every moment you died in-game, screamed in real life, and hit continue with pure defiance.

The band’s already racked up millions of streams, which makes sense because their sound is the audio equivalent of mainlining adrenaline. They’ve lit up radio with “Punch Out” and are now touring with Aranda and The Founder, which is like throwing gasoline on a circuit board and calling it a soundcheck.

So here’s your warning: this isn’t background music. It’s foreground warfare. ADAM Music Project didn’t come here to play—they came here to dominate. “Powered Up” is more than a song. It’s an anthem for the glitch-hearted, the joystick-jaded, the pixelated punks and headphone heretics. Plug in. Turn up. Melt down.

And if Dr. Wily gets his hands on this track? We’re all screwed. But we’ll go down headbanging.

Check them out on Social Media and find out where they are on tour! 

You can find their upcoming tour details here.

–Leslie Banks

Frankie Muriel isn’t just making a return, he’s making a statement. With “I’m Still Standing,” the title track from his upcoming solo debut, the platinum-haired powerhouse behind KINGOFTHEHILL and Dr. Zhivegas reclaims the spotlight with unshakable confidence and undeniable style.

 “I’m Still Standing”  kicks off with a gospel-tinged atmosphere and an energizing hook, immediately setting the tone for a song that’s a pure rock ‘n’ roll fire.

Muriel is boldly reminding the world that he can dominate the rock scene any time he chooses. “People love to decide when someone should fade into the background,” Muriel says, but with this anthem, he’s clearly chosen to shine. The track pulses with resilience and empowerment, wrapped in clever musicianship and years of experience.

The guitars blaze with vintage rock intensity, blending glam-era flash with a gritty, modern edge. Every riff and solo feels purposeful, pushing the narrative forward with urgency and confidence. Paired with thunderous drums that strike like a heartbeat on fire, the rhythm section drives the song’s anthemic energy from beginning to end.

Muriel’s vocals are a powerhouse on their own, passionate, gritty, and melodic in all the right places. The gospel-inspired backing vocals add a chilling, emotional depth that elevates the entire track. As the song unfolds, you’re swept up in a raw energy experience with the powerful fusion of ‘90s rock, glam flair, gospel spirit, and inspirational lyricism. It’s hard not to feel empowered by the time it ends.

“I’m Still Standing” proves this isn’t about nostalgia, it’s about evolution. “I’m not interested in a victory lap,” Muriel says. “I’m interested in the next mountain.”

Ready to feel inspired? 

Crank up “I’m Still Standing and so stay tuned for the full album.

Stonehocker‘s new album, Hello Mr. Hyde, is an unfiltered journey through self-discovery and surrender. Written while working through a 12-step program, the album reflects the themes of struggle, revelation, and ultimate acceptance. At its core, Hello Mr. Hyde embodies the first three steps of any recovery process, culminating in a surrender to a higher power—a concept rarely explored so openly in modern music.

Inspired by Robert Louis Stevenson’s novel The Strange Case of Dr. Jekyll and Mr. Hyde, Stonehocker saw a profound connection between Hyde and the struggle against addiction. The song acknowledges those inner battles, offering a thought-provoking and deeply personal narrative.

“Hello Mr. Hyde” is made even more special with the return of drummer Jeff Towers, a longtime collaborator. The two first worked together on Stonehocker‘s 2008 album, Mail Me a Smile, which carried a distinct punk influence. After reconnecting at one of Jeff‘s drum clinics on “single drum theory,” Stonehocker invited him to lend that unique technique to this track, creating a distinctive rhythmic feel that sets it apart from the rest of the album.

‘Hello Mr. Hyde‘ is an introspective look at the demons that hide within; it is also an acknowledgement of them. The album moves through stages beginning with the greeting and recognition, followed by the depression that comes from the acceptance of “Mr. Hyde,” but finishing with a peaceful release found through surrendering to God. I believe everyone has their own version of “Mr. Hyde” within them and that acknowledging and facing this inner demon is essential to coming to peace with oneself. – Stonehocker

After a sufficiently long gestation period in Dr. Gorp’s humong creation tanks, the lovable lads from lab 7 were able to record and write the song, “She’s Drugs,” ahead of schedule/budget. “She’s Drugs” is a song about how love is the only drug we need, except for some of the other drugs we still need.

The band is legally obligated to be happy to announce their third offering: M’Grasker by M’Grasker, due in 2024. M’Graskorp’s renowned legal team compelled Jesse Turnbull (Taurus Music) and Dave Monks (of Tokyo Police Club) to engineer and produce the album.

Auteur Research

Tomm is a composer, producer, singer and multi-instrumentalist.

It was the idea of exploring the desert rock genre…and it took him to having a concept album with 9 tracks.

With a little spoiler to start with…there’s an interesting piece of info…the first track is titled “Mr. Hyde” and the last song is “Dr. Jekyll”…without even starting the album you get the feeling of a concept album just like that!

“Mr. Hyde” is a fast-paced melting pot of genres…it’s got pop, rock, and indie mixed together with some progressive elements and very interesting sound effects…especially at the end of it…won’t spoil it.

…taking it a notch down on the second song “Love Potion”, Tomm pulls us into this musical trap only to change it up into a fast-paced anthemic pop rock mixed in with some iconic melodic guitar works.

Being one who have majored in Japanese Language studies…the third track kind of caught my eyes because of its Japanese name…”Kintsugi”…and it has such a unique philosophy and meaning to it.

The meaning of the word kintsugi is the process of highlighting the imperfections of a broken item by mending it with gold…such a unique concept.

Tomm’s “Kintsugi” takes a darker musical turn, mixed with more ambient guitar parts…it’s emotionally heavier than what came before it in the album.

Tomm manages to make each song as iconic as possible, with each song having a very distinct character to it through brilliant and catchy melodies.

“ATLAS” continues to mix it up with the emotions, speed, instrumentation and melodies of the songs, it keeps you on your toes and always wondering what the next song hides from you.

…without spoiling any more, Tomm somehow manages to give us 9 completely different songs with catchy verses and explosive choruses…I don’t know how…but the whole album is worth listening to. Every second of it.

We wish all the best to Tomm and we can’t wait to see what he comes up with next with his upcoming releases…but “ATLAS” is an absolute joy to experience, not a wasted second.

Cheers!

Golem Dance Cult is an industrial dance-rock duo with more than 14k views on Youtube and more than 250k streams on Spotify. The band was founded in 2021 by Laur Veglam on lead vocals and multi-instrumentalist Charles Why on bass, guitar, vocals, and production duties. Their chemistry and companionship can be traced back to when they were teenagers and joined their first band in which Charles was the bassist and Laur was the drummer.

“Dalek Rhetoric” is an up-beat garage rock inspired by the British TV show Dr. Who’s fictional race “The Daleks”. “Dalek are extraterrestrial killing machines with a binary thinking pattern: you are either a Dalek or they will destroy you. This seems fitting with the mentality of the World we live in” explained by the band. Soaring guitars start off the song leading into fuzz bass, hard-hitting groovy drums, and guitar riffs layered with sirens. Sprinkled with equally energetic Laur‘s dark and melodic vocals the song has an energetic and groovy vibe that forces the listener to headbang all the way. “Dalek Rhetoric” is a well-produced and addictive song that really hypes up the release of their next album. Check it out now.

First song on the album was definitely my favorite! This Highway ends was just 4 minutes 47 minutes of country music goodness. The mix of instruments with Dr Jon’s beautiful vocals made this song my favorite in the entire album. Another absolute favorite of mine was “Ride the Raven”. The harmonica in the song made me feel an indescribable feeling, mix of melancholia and nostalgia. I love the middle of the song when the electric guitar comes on, just a burst of emotions in a mellow song like this. One that was not really to my liking was “Shipyard Town”. Though the song is good, and the harmonica was dreamy, it just lacked energy, it was just the same throughout the entire song. 

All in all, though country was never really my cup of tea, I loved this album! It’s definitely not like any other country album I heard before, and it’s definitely more unique than other albums in this genre. You feel like Dr. Jon really put his entire heart into this album. I’m glad Dr. Jon pursued music instead of dentistry to give us this gem of an album.

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Contact Information

Address: 45 Kambez, Nadi El Seed. Dokki. Cairo, Egypt. (Business Hive Office Space)

Email: info@naqada.org