The band’s comeback album, Breaking Dawn, is a deeply personal exploration of frontman Wayne Petti’s journey with mental health. Petti, who has spent the past eight years working as an artist manager for renowned acts like The National, Owen Pallett, Broken Social Scene, and Jennifer Castle, found himself struggling with the idea of balancing his roles as both a manager and an artist.

I struggled with the idea of working with incredible and inspiring artists in that capacity and still being an artist in my own way. I finally realized that the only thing stopping me was ME. There are no rules about how one can and cannot be creative. I realized that it didn’t matter to me how it came out and who listened to it; all that mattered was that I allowed myself to create something just because I finally felt that I needed to. – Wayne Petti

The songs on the new album reflect Petti’s process of coming to terms with his mental health, capturing the various stages of his journey. The musical interludes throughout the record serve as a representation of the ever-present anxiety that he has learned to navigate. At the same time, the songs themselves offer a sense of relief and catharsis.

Originally written about a woman sailing out to sea in search of her husband, who was a sailor and didn’t return from his last trip because of a storm, Breaking Dawn‘s focus track, “Ballad of the Breaking Dawn,” serves as a basic metaphor of setting out to find one’s way and one’s self and ultimately feeling completely lost at sea.

“Ultimately, I felt that a shanty wasn’t really working, and a lot of the lyrics reflected how dark I felt at the time,” Petti explains. “I go back and forth between feeling, at times, confident and assured but also completely lost and being dragged down by my inability to confront my state of mind.”

Recorded over two years, the album showcases the band’s growth and maturity, both as musicians and as individuals. The collaborative effort of Petti and his talented bandmates (Paul Lowman, Andrew Johnson, François Turenne, and Thom Hammerton) has resulted in a work that is deeply personal but distinctly Cuff The Duke. 

Poised to once again cross musical borders as effortlessly as a game of hopscotch, their return is not just another chapter in their discography; it’s a homecoming celebration of their enduring legacy, and the love of getting together with old friends and playing music.

CANADIAN TOUR DATES:

October 12th – Oshawa, ON – Frére Du Nord
November 9th – Picton, ON – Sergeants Mess Hall
November 29th – St. Catharines – Warehouse
November 30th – Toronto, ON – Longboat
December 6th – Ottawa, ON – NAC
December 7th – Hamilton, ON – Mill’s Hardware
December 13th – London, ON – Rum Runners
December 14th – Guelph, ON – Sonic Hall

Auteur Research

For the single, “Seasons Come, Seasons Go,” the band laments the passage of time and departures of old friends. The song took shape after their first manager, William “Skinny” Tenn, passed away of cancer and then a few months later, hearing the news that Dallas Good (The Sadies) passed away. Those two individuals had a big influence on songwriter Wayne Petti‘s early days as a musician.

“Over the years, I have sadly lost a few friends at a young age and, of course, lost other friends and family members who had longer lives,” says Wayne Petti. “Regardless, it’s always very hard to lose someone you love or care about. The song is self-explanatory: ‘Some die young, and some die old, just like the seasons come and seasons go.'”

Six albums, a pair of JUNO nods, countless miles on the road, including sharing stages with iconic acts like Blue Rodeo, Sloan, Nick Cave & the Bad Seeds. Then, poof! A 10-year vanishing act. But like all great tales, theirs has a twist: Cuff The Duke has reemerged from the shadows. 

The band’s comeback album, Breaking Dawn (out September 6th), is a deeply personal exploration of frontman Wayne Petti’s journey with mental health. The songs on the new album reflect Petti‘s process of coming to terms with his mental health, capturing the various stages of his journey. The musical interludes throughout the record serve as a representation of the ever-present anxiety that Petti has learned to navigate. At the same time, the songs themselves offer a sense of relief and catharsis.

ONTARIO TOUR DATES

• July 13th – Hamilton – Because Beer
• November 29th – St. Catherines – Warehouse
• November 30th – Toronto – Longboat
• December 6th – Ottawa – NAC

Auteur Research