42 POSTS
Omar Ashour
Omar is a self-made man, with a vast empire spanning the length of his apartment, where he sits down at his desk for the recommended number of hours to fuel the modern industry. It’s amazing how much he gets away with! But really, the guy just likes listening to good music, teaching guitar, and playing with his band Skeletons.
Review: Let It Burn by Brent Beamer
While there has been a complete drop-in live music, the supply of recorded music since the Covid-19 pandemic broke out has actually increased. It is kind of cool to...
Review: Endless Fondling by Sam Loan
Instrumental rock is a style reserved for the brave. Not too many listeners gravitate towards music with no words or vocals. Think of the Billboard pop, r&b, and rock...
Review: Erika by Jialin
Is AI on the brink of out-doing pop composers/songwriters? I mean, could one assume that a song written using AI could pass on the radio as a regular tune?...
Review: Broke Kids by The Omnis Collective
“Broke Kids” by The Omnis Collective, made up of Nova Wave and TBD, has a great post-punk riff looping throughout. Any fan of Texas is the Reason, JawBreaker, Piebald,...
Review: Ink in the Well by J. Coursey Willis
J. Coursey Willis seems to be making peace with his ghosts on his latest single, “Ink in the Well.” He's rather comfortable in the dark, gothic fantasy he has...
Review: Strawberry Skies by Kid Travis
While we have heard of strawberry kush before, we've certainly never heard of “Strawberry Skies” until Kid Travis came along. We can only assume from the line, “strawberry skies,...