42 POSTS
Omar Ashour
Omar is a self-made man, with a vast empire spanning the length of his apartment, where he sits down at his desk for the recommended number of hours to fuel the modern industry. It’s amazing how much he gets away with! But really, the guy just likes listening to good music, teaching guitar, and playing with his band Skeletons.
Review: No Ties by Wax Chattels
Amanda Cheng, frontwoman and bassist for industrial, art-punk trio Wax Chattels, is Hoklo Taiwanese and a first-generation immigrant. As someone who has been through that experience, I can certainly relate...
Review: Florence by Subshine
Ole Gunnar Gundersen appears to be both the brain and muscle behind Subshine. According to Gunnar's own bio: “This is electronic pop, this is longing with a sense of...
Review: They Wouldn’t Let Me Write My Book by Erotic Secrets of Pompeii
When you consider the rich, underground cultural history of their hometown, Bristol, It's not surprising to hear the wide mix of influences found in Erotic Secrets of Pompeii's music. A...
Review: Staying In by The Midnight Club
Here's what we know about The Midnight Club: “armed with a unique brand of rock and roll, an affinity for glam, and an electrifying live performance, The Midnight Club...
Review: Was It Really You? by Mangled Grapes
Patrick Frey, or Patterico, the internet handle he goes by, is based in “anywhere” United States and is obviously a fan of the golden era of alternative music, namely...
Review: Officer by BeeMC
British lo-fi blues-rocker, BeeMC, expresses his own experience with racism on his new single, “Officer.” Surely, this is the rock mc's response to the recent demonstrations in the United...