**Independent artist Exzenya releases her new single, “B!tch Please,” out now on all platforms via Exzenya Productions. A confident, mid-tempo roots rock track with blues in the chords and sass over sheen, it marks a deliberate sonic shift from her satirical pop-R&B debut “Drunk Texting” into rawer, more grounded territory — story first, live-band feel, production that sounds like a person rather than a preset.
The song’s premise is as clear as its emotional centre: a woman looks at the one who slept with her husband and does not beg, break, or shrink. She clocks the trade. Sugar-daddy fantasy on one side. A roaming man who will leave her the same way on the other. Relief. Sass. Closure. Written from the moment the door actually opens.
“You thought you were taking my life. You set me free.”
That line carries the entire record — and it lands like the exhale at the end of something that was holding you down for too long.
⇒ Check our thoughts on “B!tch Please,” and read our review here.
“B!tch Please” lives in the roots rock tradition that grew from artists who wanted rock without leaving the porch — The Band, early Tom Petty, John Mellencamp — and the modern artists who kept that same rule alive: Kaleo, Barns Courtney, Dorothy, ZZ Ward, Grandson. The song should sound like a person, not a preset.
On “B!tch Please” that means bass and lead vocal as the floor, blues or country in the chords even when the track rocks, a live-band feel that is polished without being plastic, and a chorus you will remember without trying to. Roots rock with a blues mouth. A cheating-and-karma story told the way blues was always meant to be told — with wit, with weight, and without apology.
