The Australian rockers Reetoxa released their second album, “Soliloquy”, yesterday, March 23
Usually, I don’t like to write on each song separately in album reviews, as I prefer not to reflect on the reader’s opinion. But I cannot ignore tracks like “Reetoxa,” “Insatiable,” “Thrift Shop Dress,” “Akaroa,” “Gown,” among many other tracks.
Jason McKee and Reetoxa‘s vision for “Soliloquy” was one of introspection and evolution, capturing the essence of life’s complexities through music. Each track is a personal narrative, a window into his soul, where the orchestral elements serve to elevate the emotional depth of the album. From the evocative “Reetoxa,” which embodies the raw energy of the grunge era, to the poignant “Insatiable,” with its haunting melodies, the album is a testament to McKee’s prowess as a storyteller and musician. In “Akaroa,” the interplay between electric guitars and strings creates a dynamic tension that mirrors the song’s themes of longing and introspection.
The double album “Soliloquy” showcases a string orchestra from Budapest, Hungary. Upon exploring the album, you’ll discover that the Australian rockers draw significant inspiration from the 90s era, echoing the sounds of bands like Pearl Jam and Radiohead. This influence is beautifully fused with a contemporary orchestral flair, particularly evident in my favourite track, “Thrift Shop Dress.” It stands out with its infectious rhythm and lyrical wit, showcasing McKee’s ability to blend humour with heartfelt storytelling.
As you are already aware from our earlier features, ReeToxA is the musical endeavour of Melbourne-based singer-songwriter Jason McKee. His music combines elements of 1990s-inspired alternative rock, grunge, and contemporary pop, frequently characterised as having a “distinctly Aussie twist.”
Frankly, I am captivated by Jason McKee‘s emotive and powerful singing style. His music embodies a raw spirit that feels increasingly rare these days, which is evident throughout his 26-track album. Jason began penning Soliloquy in 1997, with only one bottle of inspiration remaining. After a pause during the pandemic, he chose to complete unfinished songs and reflect on his life experiences. Initially planned as a six-album project, he distilled it down to the finest 26 tracks that flowed seamlessly together. During the COVID pandemic, with the first album still unreleased, Jason shifted his focus to his second album. Surviving on cigarettes and coffee, he pushed himself to the limits, delving into various memories, fears, and reflections from his life.
The instrumentation in this piece is truly exceptional. I appreciate how everything is perfectly aligned. While I listen, I can feel the powerful rock groove of the bass and drums. Naturally, I’m captivated by the guitar’s performance, which truly elevates this record. Listeners will find themselves immersed in a realm where the past and present intertwine, crafting an experience that resonates deeply on various levels. The collaboration with the Budapest orchestra adds a refined texture to the tracks, transforming “Soliloquy” into not just an album but an auditory journey that seamlessly connects traditional rock with contemporary symphonic influences.
“Soliloquy” is more than just a collection of songs; it’s a reflection on the human condition, a soliloquy in the truest sense, where McKee lays bare his thoughts and experiences with unapologetic honesty. This album is a celebration of resilience, creativity, and the enduring power of music to connect us to our innermost selves.








